Tuesday 1 October 2013

Pencil Sketches Of Indian Women Of Nature Of Sceneries Landscapes Of Flowers Of Girls Of People Tumblr Of Roses Of Eyes Of Love

Pencil Sketches Of Indian Women Biography

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Two small books of vivid drawings—one filled with images by the Southern Cheyenne warrior-artist Howling Wolf and the other with images by Zotom, a Kiowa man—came to the Southwest Museum of the American Indian, now part of the Autry National Center, in December 1986. The books were gifts from Leonora Curtin Paloheimo, and had been commissioned directly from the artists in 1877 by Paloheimo’s grandmother, Eva Scott Muse Fényes (1849–1930). At the time Fényes commissioned the books, Zotom and Howling Wolf were imprisoned at Fort Marion in Saint Augustine, Florida. Like some of the other Southern Plains Indian prisoners held there between mid-1875 and mid-1878, the two men created many drawings for diverse reasons. Some of the prisoners’ books of drawings, including the two that Fényes collected, were sold to people who visited the sixteenth-century Spanish fort.

After Eva Scott Fényes’s death, the books went to her daughter, Leonora Muse Curtin (1879–1972), and subsequently they were passed to Leonora Curtin Paloheimo (1903–1999). More than one hundred years after their creation, the books became part of the Southwest Museum’s collections. Unlike most of the museum’s other holdings of Native American art, these two books originated with a commission by Fényes, a young woman who continued as a patron of the arts for the remainder of her life.

The study of what has become known as Plains Indian ledger art—because the artists frequently used accountants’ ledger books as sources of paper—and of Fort Marion drawings in particular, has burgeoned in the last forty years. Joyce Szabo’s examination of the two drawing books by Zotom and Howling Wolf encompasses their origins and the issues surrounding their commission as well as what the images say about their creators and their collector. Szabo augments the complete reproduction of each page with detail photographs of the drawings.

Awards

2012 New Mexico-Arizona Book Award
Winner
2011 ForeWord Reviews Book of the Year
Winner in Social Sciences, Bronze
Contributors: Joyce M. Szabo

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“Plains Indian ledger art, so named because the artists used discarded ledger books for their sketches, has come into its own during the last 40 years. A gift of two ledgers to the Southwest Museum of the American Indian, now part of the Autry National Center, is the basis for this delightful book by Szabo (Univ. of New Mexico). Howling Wolf and Zotom at last receive an audience for their artistic creations during their imprisonment at Fort Mation in Saint Augustine, Florida, during the 1870s—far from their Cheyenne and Kiowa villages. These ledgers originally were commissioned by painter Eva Scott Muse Fényes, a young woman who worked tirelessly to preserve remaining vestiges of the vanishing western culture and placed great value on the renderings of these Indian prisoners. The drawings are visual narratives that tell poignant stories of a vanishing way of life. They provide insight into the lives, histories, and mind-sets of these Native peoples. The volumes do not contain a continuous story line; instead each drawing is an entity unto itself, a key to an event. Szabo brings expertise and empathy to this important volume, which is enhanced by numerous beautifully rendered color illustrations. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers.”
—A. Wirkkala, Choice, May 2012 vol. 49 no. 09
Nicholas Konstantinovich Roerich was born in St. Petersburg, Russia, on October 9, 1874, the first-born son of lawyer and notary, Konstantin Roerich and his wife Maria. He was raised in the comfortable environment of an upper middle-class Russian family with its advantages of contact with the writers, artists, and scientists who often came to visit the Roerichs. At an early age he showed a curiosity and talent for a variety of activities. When he was nine, a noted archeologist came to conduct explorations in the region and took young Roerich on his excavations of the local tumuli. The adventure of unveiling the mysteries of forgotten eras with his own hands sparked an interest in archeology that would last his lifetime. Through other contacts he developed interests in collecting prehistoric artifacts, coins, and minerals, and built his own arboretum for the study of plants and trees. While still quite young, Roerich showed a particular aptitude for drawing, and by the time he reached the age of sixteen he began to think about entering the Academy of Art and pursuing a career as an artist. His father did not consider painting to be a fit vocation for a responsible member of society, however, and insisted that his son follow his own steps in the study of law. A compromise was reached, and in the fall of 1893 Nicholas enrolled simultaneously in the Academy of Art and at St. Petersburg University.
In 1895 Roerich met the prominent writer, critic, and historian, Vladimir Stasov. Through him he was introduced to many of the composers and artists of the time—Mussorgsky, Rimsky-Korsakov, Stravinsky, and the basso Fyodor Chaliapin. At concerts at the Court Conservatory he heard the works of Glazunov, Liadov, Arensky, Wagner, Scriabin, and Prokofiev for the first time, and an avid enthusiasm for music was developed. Wagner in particular appealed to him, and later, during his career as a theater designer, he created designs for most of that composer’s operas. Moreover, musical terms and analogies can appropriately be applied to Roerich’s painting. He frequently related music to the use of color and color harmonies, and applied this sense to his designs for opera. As Nina Selivanova wrote in her book, The World of Roerich: “The original force of Roerich’s work consists in a masterly and marked symmetry and a definite rhythm, like the melody of an epic song.”
“The original force of Roerich’s work consists in a masterly and marked symmetry and a definite rhythm, like the melody of an epic song.”
Youth Veerangnayen welfare society came into existence on August 31, 2010. This is a non-governmental, non-religious and non-profitable social welfare organization. This organization has been established with an objective to empower the women and youths to create a just society, free of social vices. Our aim is to create awareness about anti female feticide, drug-deaddiction, rehabilitation of sex-workers, and helping eunuchs to join in the mainstream society. Learn More
About Us

‘Youth Veerangnayen’ society is intended to elevate the people who are downtrodden, backward and are enmeshed in the cobweb of drugs. Moreover, this is also determined to eradicate the social stigmas prevalent in society as female foeticide, homosexuality, prostitution, and eunuchs’ ostracism from the mainstream society.
What We Do

We have the vision of well developed, vices free and peaceful India. We are imbibed with the hope of a better future & life of adversity to be turned into a future of prosperity. Services rendered by YV at a glance are: – sponsoring the crusades against the social vices as female feticide, drug addiction, homosexuality, prostitution and eunuchs’ ostracism etc.

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[X-Info] Universal pronouncing dictionary of biography and mythology / Joseph Thomas. (Philadelphia : J.B. Lippincott, 1892, c1885), by Joseph Thomas (page images at HathiTrust)
[X-Info] Self-help with illustrations of conduct and perseverance. (London : J. Murray, [1905]), by Samuel Smiles (page images at HathiTrust; US access only)
[X-Info] Remarkable men: Wotton, Ferguson, Humboldt, Wilberforce, Faraday, Scott, Arnold, Waterton, Roberts, Bunyan. (London : Published under the direction of the Committee of General Literature and Education, Appointed by the Society for Promoting Christian Knowledge, [18--?]), by London Society for Promoting Christian Knowledge (page images at HathiTrust; US access only)
[X-Info] Some noted princes, authors, and statesmen of our time. By Canon Farrar, James T. Fields, Archibald Forbes, E. P. Whipple, James Parton, Louise Chandler Moulton, and other. Ed. by James Parton. (New York, T. Y. Crowell & co., [c1885]), by James Parton (page images at HathiTrust)
[X-Info] Up the heights of fame and fortune, and the routes taken by the climbers to become men of mark. (Cincinnati : W. H. Moore & company, 1873), by Fred'k Brent Read (page images at HathiTrust)
[X-Info] Representative men; seven lectures. (New York : Crowell, [1903?]), by Ralph Waldo Emerson (page images at HathiTrust)
[X-Info] Portrait gallery of eminent men and women of Europe and America. With biographies. By Evert A. Duyckinck. Illustrated with highly finished steel engravings from original portraits by the most celebrated artists. (New York : Johnson, Fry and company, [c1872-74]), by Evert A. Duyckinck (page images at HathiTrust)
[X-Info] Unhappy loves of men of genius, (New York : Harper & brothers, 1891), by Thomas Hitchcock (page images at HathiTrust)
[X-Info] Small beginnings; or, The way to get on. (London : Hogg, [1859]) (page images at HathiTrust)
[X-Info] Post mortem; essays, historical and medical. (New York : Doran, [1922?]), by Charles MacLaurin (page images at HathiTrust)
[X-Info] Memoirs of celebrated characters. By Alphonse de Lamartine. In two volumes. (London : R. Bentley, 1854), by Alphonse de Lamartine (page images at HathiTrust)
[X-Info] Famous biography : containing brief biographies of Frederick the great / by T.B. Macaulay ; Robert Burns / by Thomas Carlyle ; Mahomet / by Gibbon ; Joan of Arc / by Michelet ; Hannibal / by Thomas Arnold ; Julius Caesar / by H.G. Liddell ; Oliver Cromwell / by Lamartine ; William Pitt / by T. B. Macaulay ; Martin Luther / by Bunsen ; Mary, queen of Scotts / by Lamartine ; Columbus / by Lamartine ; Vittoria Colonna / by T.A. Trollope. (New York : J.B. Alden, 1883) (page images at HathiTrust)
[X-Info] The century dictionary and cyclopedia, a work of universal reference in all departments of knowledge with a new atlas of the world. (New York : The Century co., [c1896-1910]) (page images at HathiTrust)
[X-Info] The boyhood of great men. Intended as an example to youth. (New York : Harper, 1856), by John G. Edgar (page images at HathiTrust)
[X-Info] Europäer und Exoten / von Moriz Scheyer. (Wien : E. Strache, 1920), by Moriz Scheyer (page images at HathiTrust; US access only)
[X-Info] The eccentric mirror : reflecting a faithful and interesting delineation of male and female characters, ancient and modern, who have been particularly distinguished by extraordinary qualifications, talents, and propensities, natural or acquired ... with a faithful narration of every instance of singularity, manifested in the lives and conduct of characters who have rendered themselves eminenty conspicuous by their eccentricities ... / Collected and re-collected, from the most authentic sources, by G.H. Wilson. (London : Printed for James Cundee, 1807), by G. H. Wilson (page images at HathiTrust)
[X-Info] Distinguished men of modern times. In four volumes. (London : Knight, 1838), by Society for the Diffusion of Useful Knowledge (Great Britain) (page images at HathiTrust)
[X-Info] Retratos reales e imaginarios, (México, Lectura selecta, 1920), by Alfonso Reyes (page images at HathiTrust; US access only)
[X-Info] Précurseurs et révoltés: Shelley, Nietzche [1], Ada Negri, Ibsen, Maeterlinck, Wilhelmine Schroeder-Devrient, Gobineau, Gustave Moreau. (Paris, Perrin et cie, 1918), by Edouard Schuré (page images at HathiTrust; US access only)
[X-Info] Portraits. ([Paris] Nouvelle revue française, 1913), by André Suarès (page images at HathiTrust; US access only)
[X-Info] Twelve great passions [by] J.A. Brendon. (London, Hutchinson, [1912]), by J. A. Brendon (page images at HathiTrust; US access only)
[X-Info] Who was who : a companion to Who's who, containing the biographies of those who died during the period .. (London : A. & C. Black), by England) Who was who (London (page images at HathiTrust; US access only)
[X-Info] Charakterbilder aus der Geschichte und Sage : für einen propädeutischen Geschichtsunterricht / herausgegeben von A.W. Grube. (Leipzig : F. Brandstetter, 1886), by A. W. Grube (page images at HathiTrust; US access only)

[X-Info] Chambers's biographical dictionary : the great of all times and nations / edited by David Patrick and Francis Hindes Groome. (London ; Edinburgh : W. & R. Chambers, [1911]) (page images at HathiTrust; US access only)
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Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
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Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
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Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
Pencil Sketches Of Indian WomenOf  Nature Of  Sceneries Landscapes Of  Flowers Of  Girls Of  People Tumblr Of Roses Of  Eyes Of  Love  
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